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Akshardham Temple: A Symbol of Devotion in New Delhi

“I feel I am in a different world. It has become a place of education, experience, and enlightenment. It creatively blends the tradition of stone architecture and art, Indian civilization and culture, ancient wisdom and values, and the best of modern media and technology. What has happened today at Akshardham inspires me and gives me the confidence that ‘we can do it.’ The realization of a developed India is certainly possible before 2020 with millions of ignited minds like you.” (6 Nov. 2005)
– Dr A. P. J. Abdul Kalam, 11th President of India (2002 – 2007)


The Akshardhâm complex was constructed by the Bochâsanwâsi ·rî Akshar Purushottam Swâminârâyan Sansthâ (the BAPS or the Sansthâ), said to be the quickest developing Hindu faction on the Earth today. With an organization of dynamic focuses on four landmasses, upheld by numerous prosperous supporters and supporting conspicuous public celebrations and temple structures, the BAPS is one of the most apparent indications of transnational Hinduism today. The BAPS is one of a few subsects among the supporters of Swâminârâyan, a Hindu-reformist evangelist in nineteenth-century Gujarat. Pushing peacefulness and debilitating suttee and female infanticide, his faction invited all classes, including the lowest, those who had been restricted from entering the temple. As a result, the Swâminârâyan organization pulled in an enormous flock of householders and renunciants and became one of the main orders in Gujarat.

Around 60 acres of land were conceded by the Delhi Development Authority and 30 acres of land by the Government of Uttar Pradesh for the erection of this temple. The development began in 2000 and was finished within five years. Remaining on the banks of River Yamuna, Akshardham Temple was opened to the general public on sixth November 2005. Pramukh Swami Maharaj initiated the temple within sight of remarkable personalities like Dr A.P.J. Abdul Kalam, L.K. Advani, B.L. Joshi, and Dr Manmohan Singh – the then Prime Minister of India. Perhaps the most significant temple in Delhi, just as in India, this profound spot was developed by BAPS. Over 8000 volunteers took part, and 300,000,000 volunteer hours were spent in the development of this temple.

Swagatam (The Welcome)

The journey of Akshardham starts at the Ten Gates – meaning ten directions – as guests go through the Gate of Devotion, the Visitor Center, and the Peacock Gate to show up at the Charnarvind. En route, conventional Hindu images of energy, commitment, excellence, and immaculateness make a heavenly mood. Thus, every guest dives into the experience of Akshardham imbued with the power of this promising start.


The internal sanctum or garbhagruh of the Akshardham mandir is home to Bhagwan Swaminarayan and his heavenly progression of masters – Gunatitanand Swami, Bhagatji Maharaj, Shastriji Maharaj, Yogiji Maharaj, and Pramukh Swami Maharaj. Assigns of Aksharbrahma, the masters, indications of Aksharbrahma, are God’s timeless workers and goals of purity and dedication. They dwell in the garbhagruh unceasingly, offering administration and love to Bhagwan Swaminarayan. Things blessed by Bhagwan Swaminarayan during his lifespan are likewise saved for darshan straightforwardly behind the garbhagruh. Around the garbhagruh, exceptional particular stepped areas are dedicated to other Hindu gods of Sanatana Dharma: Shri Sita-Ram, Shri Radha-Krishna, Shri Lakshmi-Narayan, and Shri Shiv-Parvati.


The inside of the Akshardham mandir can be partitioned into nine mandapams or topical spaces. These nine mandapams are loaded with unpredictably cut murtis and columns and covered by unique arches and roofs. Going through these mandapams, one meets eminent aficionados, special symbols, and cheering divine creatures. The grandiose plans and complicated carvings of the mandapams move the impression of God’s incomprehensible excellence and the magnificence he carries in creation.


The outer veneer of an ancestral stone temple is known as a handover. Swaminarayan Akshardham’s handover is the most significant, most unpredictably cut handover constructed in India in the last 800 years. It is 25 feet high, 611 feet in length, and elements 200 designed stone figures of a significant number of Hinduism’s incredible rishis, sadhus, aficionados, acharyas, and symbols. The foundation of the handover is known as the jagati. In this layer, one tracks down carvings of living creatures from our ordinary world. To begin with, we have the elephant, which is an image of solidarity, then, at that point, the lion, which represents dauntlessness and fierceness. From there on, one finds the vyal (a Pauranic creature) that was famous for speed.

In the resulting layers, one tracks down carvings of blossoms that represent excellence and scent. The handover, known as vibhuti, are symbols, sages, devas, acharyas, and specialists. What’s more, on top inside this layer are the samarans that urge individuals to take a stab at otherworldly tallness throughout everyday life. The whole mandovar moves a person to free his life from the shackles of ordinary delights and rise to the traditional territory of God-acknowledgment.

Narayan Peeth

It is an old Hindu practice to perform pradakshinas or circumambulations as a worthy gesture and supplications. Hence, the steadfast walk clockwise around mandirs to support the conviction that God should be the focal point of one’s life. At the Akshardham mandir, the way for conducting these circumambulations is adorned with three 60 feet in length bronze help boards. These boards represent divine episodes from the existence of Bhagwan Swaminarayan and help the dedicated strolling these ways to recollect God as they perform circumambulations. The layer of the mandir where these boards are introduced is known as the Narayan Peeth.

Gajendra Peeth

A mandir stands, customarily and emblematically, on the shoulders of elephants. But, in an exceptionally innovative transformation, the elephants at the foundation of Swaminarayan Akshardham are not simply stopping. The Gajendra Peeth or Elephant Plinth gives stories and legends of elephants’ nature, with people and with God. This portrayal of elephants respects these fantastic yet delicate creatures and shares harmony, excellence, and tenderness messages.


The shows are shown in three huge lobbies, each with a unique presentation style. They are provenance of training, education, and motivation; they are a fourfold mix of craftsmanship, science, culture, and devotion. A decent combination of antiquated qualities and intelligence and the best of current media and innovation, the shows give an incredible, soul-blending experience of Hindu legacy and general attributes. The three lobbies are Sahajanand Darshan – Hall of Values; Neelkanth Darshan – Large Format Film; Sanskruti Darshan – Cultural Boat Ride.

Thematic Gardens

The Akshardham grounds’ two gardens further the opinions indicated by the Ten Gates toward the beginning one’s visit to Akshardham: ‘May great contemplations come to us from all headings and rouse our lives.’ Both the nurseries assist guests with unwinding while at the same time investigating the public history and global learnings. With sculptures of extraordinary individuals and statements from across the world, these nurseries encourage shrewdness in their shade.

Sahaj Anand (Multimedia Water Show)

This Multimedia Water Show gives the immense experience of eternality as sunsets. It has the following components:

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